Adapting
Miltonic
A body of embodiment.
A poetic embodied body.
An embodied body of poetry.
Embodying Milton: a body of poems.
I shall tell y’all
I shall tell you all?
•••••
Paradise
My Paradise/garden postlapsarian
built with
labor but
following nature cultivating.
The Dr. Huey principle:
It’s not what you
wanted but
it’s what you have and
it’s good
Wallowing
in providence enjoying
its gifts
each day
is different
rejoice in the gifts
that day has to offer
•••••
Plums, eaten
I acknowledge and bewail
my manifold positionalities
Which I this time have committed
In thoughts, word, and slow read post
Against our class social contract.… The very memory of them
Is embarrassing to me. Forgive all that at last
I had 650 words worth of rant and so I figured I could cut out 150 words easy and have some solid relatively non-offensive 500 words worth but when I cut out the opinionated rant parts I was down to 375 words and I didn’t have time to develop one of my more bland points further so I had to paste back in one of my potentially offensive points sorry sorry sorry
Borrowing the sacred
Communion liturgy
Which I guess could be offensive also
But maybe only Marian would be offended?
And she says and I believe her
That she likes being offended
So it’s all good
Kinda
•••••
I did not know
Milton writing poems thinking living practicing was there all along.
Me loving literature avoiding
literature classes don’t
tell me what to think. analyze
before we can interact personally
Person to art
Like when I go to the Prado
I don’t want to hear the stupid
comments personal
opinions of others interrupting my interaction.
Unless it’s Spaniards
Thanking deep and slow
Philosophizing
Enthusing on the layers of paint and meaning
In las Meninas
To their own progeny
a conversation with the artist
gone by
•••••
Flamboyant and extravagant
He came wearing sunglasses
in case you legislators get any bright ideas.
I laughed all the way from Spain
But then
Everest
lost sense lost toes
won’t discuss it
until practically too late and then
Blaming his party. Well
Even parties have rules and norms
Liberty libertarian but stuffy in a suit
Statistically significant, nonetheless.
Progress but not progressive.
•••••
Oh the Horror
Wesley expunging entire chunks of
PL weighed in the scales found
too heavy with
classical references
I’ve had the same urge and reaction a veces to
the renaissance peacock display of
classical roots and
are we any better: Our version
tears up a text
dripping bloody red lines
bold over-explaining and miss explaining
Milton does not either
invite us to view the Holy Spirit
copulating with creation
what the hell ever even
hardcopy text
ordered
•••••
Sleeping in:
dreamt I was fishing in deep water but it didn’t seem it was the ocean. I could feel like I got something – I felt the gratifying tug on the line. The point of view shifted and I could see under the water where there were medium to small sized sharks that I was fishing for. – I was fishing for shark and I pulled it up it was fairly small two or 3 feet. We had a restaurant or I worked in one and I took it back. The manager held the shark up for others to see they could have fresh shark to eat. But then: the shark had cats eyes and was lying on the ground where I had laid it on the bedroom carpet, it and it was playing with the cats and the cat friendly and playing with it and I started to cry and I didn’t want to see it die after all. Wanted to put the shark back in the water so we would fill a bucket of water and take them back even if it was too late I had to try was so sad I had already become attached to that shark. I had a good chance the shark had a good chance but things were moving a bit slow and I woke up and I saved this dream I saved the shark.
The Saga Mind
M.I. Steblin-Kamenskij
(a found poem)
A popular form of exposition has been adopted in this book, not because it imparts the right to by-pass difficult problems or to oversimplify them, but on the contrary, because it permits concentration on the essence of the problems examined and does no encumber the exposition with retelling the works of others, with enumerating names, dates and facts, with references, with footnotes, and the other ballast inevitable in any work intended for scholarly specialists.
Chapters
Is there a point to literary history?
What is truth?
Where are the limits of the human personality?
What is form and what is content?
What is good and what is evil?
Can time be stable and what is death?
Is it worthwhile to return from the other world?
